Biodiversity Data Journal :
Data Paper (Biosciences)
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Corresponding author:
Academic editor: Ben Price
Received: 07 Dec 2015 | Accepted: 18 Dec 2015 | Published: 21 Dec 2015
© 2015 Ed Baker, Yoke-Shum Broom
This is an open access article distributed under the terms of the Creative Commons Attribution License (CC BY 4.0), which permits unrestricted use, distribution, and reproduction in any medium, provided the original author and source are credited.
Citation:
Baker E, Broom Y (2015) Natural History Museum Sound Archive I: Orthoptera: Gryllotalpidae Leach, 1815, including 3D scans of burrow casts of Gryllotalpa gryllotalpa (Linnaeus, 1758) and Gryllotalpa vineae Bennet-Clark, 1970. Biodiversity Data Journal 3: e7442. https://doi.org/10.3897/BDJ.3.e7442
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The Natural History Museum (NHM) sound archive contains recordings of Gryllotalpidae, and the NHM collection holds plaster casts of the burrows of two species. These recordings and burrows have until now not been made available through the NHM's collection database, making it hard for researchers to make use of these resources.
Eighteen recordings of mole crickets (three identified species) held by the NHM have been made available under open licenses via BioAcoustica. 3D scans of the burrows of Gryllotalpa gryllotalpa (Linnaeus, 1758) and Gryllotalpa vineae Bennet-Clark, 1970 have been made available via the NHM Data Portal.
mole cricket, Gryllotalpa, bioacoustics, burrow, cast, 3D scanning
Mole Crickets (Orthoptera: Gryllotalpidae) are subterranean insects, rarely seen above ground apart from adults flying during breeding season. The Natural History Museum has a collection of sound recordings and burrow casts of the genus Gryllotalpa
Oscillogram of Gryllotalpa gryllotalpa, http://bio.acousti.ca/comment/168#comment-168. The song is a continuously repating repetition of the pattern shown here. Generated by the BioAcoustica analysis tools (
Song frequencies of (a) Gryllotalpa gryllotalpa, http://bio.acousti.ca/comment/48#comment-48; (b) Gryllotalpa orientalis, http://bio.acousti.ca/comment/51#comment-51 & (c) Gryllotalpa vineae, http://bio.acousti.ca/comment/64#comment-64. Generated by the BioAcoustica analysis tools (
The collection of Gryllotalpidae sounds held by the Natural History Museum is limited (at present there are 18 recordings of three identified species, plus unidentified material). They are presented now for the following reasons; (1) they are the only representatives of the super-family Gryllotalpoidea, and future planned publications on the Orthoptera sound collection are being written at super-family level; (2) the only burrow casts held by the NHM are of Gryllotalpa, and (3) the importance of Gryllotalpa gryllotalpa for both conservation (in the UK) and as an invasive pest (in the USA) makes publication timely.
Acoustic monitoring devices have been developed for other species of Orthoptera (e.g.
Online libraries of recorded wildife sound are useful in taxonomic studies (e.g. Gryllotalpa vineae was initially diagnosed in part based on its song,
3D scans of burrow casts of the species Gryllotalpa gryllotalpa and Gryllotalpa vineae have been made (Figs
Mesh from 3D scan of the burrow of Gryllotalpa vineae. Viewed in Meshlab. STL file available in
Digitising the NHM Wildlife Sound Collection. I. Orthoptera: Gryllotalpidae.
This work, in part, uses tools developed by the Natural History Museum Departmental Investment Fund (DIF) award SDF 14011.
Recordings of three species of Gryllotalpa have been made available on BioAcoustica. Additionally scans of the burrow casts of two species have been made available online via the NHM Data Portal.
Rank | Scientific Name | Common Name |
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species | Gryllotalpa gryllotalpa | European Mole Cricket |
species | Gryllotalpa vineae | |
species | Gryllotalpa orientalis |
BioAcoustica uses a flexible licencing model where contributors may choose a licence for each recording they upload. Recordings owned by the Natural History Museum are available under a Creative Commons Attribution (CC BY) Licence. 3D models are made available under the Creative Commons Attribution Non-Commercial (CC BY-NC) licence following standard NHM policy. Other resources on BioAcoustica may use different licenses.
Column label | Column description |
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Specimen | Unique ID of the specimen (see 'NHM Specimen Idenitifers') |
Type | Type of specimen of observation |
Species | Species name |
Link to specimen | Link to the specimen record on BioAcoustica |
Link to recording | Link to recording record on BioAcoustica |
Link to burrow cast | Link to burrow cast on the NHM Data Portal |
The existence of a specimen (NHMUK-BMNH(E)-010210942: recording) which B. C. Townsend considered (via a specimen label) has male genitalia conspecific with G. africana Palisot de Beauvois, 1805, but which has a unique song may indicate the presence of cryptic species within the genus.
A recording of a specimen of G. rufescens Chopard, 1948 collected by W. J. Bailey and identified by B.C. Townsend cannot be located. In addition a recording of the holotype of G. vineae is missing from the collection. This highlights the importance of documenting sound collections and ensuring their proper care. BioAcoustica aims to address these issues by ensuring digital copies are securely backed up (as described in
Traditionally the Entomology Department of the Natural History Museum has indexed 'specimen lots' using the format 'B.M. YEAR-#' where # is a sequential number for the given year. Individual specimens were therefore rarely assigned a unique identifier (the original "B.M. numbers" are provided for specimen records in BioAcoustica). Recently the museum has moved away from the classic BMNH coden to NHMUK, while entomology specimens have been given unique identifiers of the form BMNH(E). This results in the rather long DarwinCore identifiers NHMUK-BMNH(E)-########. These specimens are currently being enterred into the Museum's collection managaement system.
For specimens where we have recordings that can be georefrenced and dated, but there is known to be no corresponding specimen in the NHM collection, the identifiers of the observation are given the format BioAcoustica-Collector-#.
We would like to thank our colleagues at the Natural History Museum who have enabled this work: Heather Bonney, George Beccaloni, Adrian Hine and Ben Price. Philippa Richardson, Vince Smith and Laurence Livermore provided comments on the draft manuscript.
The project was conceived by Ed Baker who digitised the recordings and burrow casts. Sam Broom digitised the metadata relating to the sound collection.